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Technical Ecstasy: Phenomenological Perspectives of Metal Music Production

  • Niall Thomas

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    This chapter explores the direct experiences of renowned record producers, working with Metal music, to construct an in-depth understanding of the genesis, and development, of recorded Metal music. Technological democracy has changed the experience of making Metal records, affording creative flexibility and control that would historically have been out of reach; technologically and financially. Multitrack technologies and fragmented production processes are also examined. Framed by the experiences of producers that have shaped the recording careers of artists such as Black Sabbath and Judas Priest, this chapter links the direct experiences of record-making to musical, socio-cultural, and technological development.
    Original languageEnglish
    Title of host publicationThe Cambridge Companion to Metal Music
    Chapter4
    Pages43-56
    Number of pages15
    DOIs
    Publication statusPublished - 31 Aug 2023

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